What to Watch After The Glory: Three K-Dramas That Hit the Same Note
If Moon Dong-eun's revenge left you hollow and satisfied, these three dramas keep the wound alive in different ways.
The Glory lands because Moon Dong-eun does not ask for pity. She spends 17 years building a life around payback, then walks toward Park Yeon-jin and the others with a calm that feels almost worse than rage. The pleasure is not only watching punishment arrive. It is watching a bullied woman take back the story five people stole from her, one name at a time.
1. Vincenzo
Same cathartic revenge pull as The Glory. 2021, tvN / Netflix.
Pick Vincenzo if the part of The Glory that stayed with you was the need to see powerful people cornered.
The match is direct: revenge, dread, duty, class friction, and a cathartic ending. The difference is speed. The Glory is slow-burn revenge, with Moon Dong-eun moving like someone who has already spent half her life waiting. Vincenzo is plot-dense from the jump: an Italian-Korean mafia consigliere returns to Seoul for hidden gold and ends up taking on the corrupt Babel Group.
That gives it a sharper, louder kind of payback. If Park Yeon-jin made you want consequences, Vincenzo gives you another fantasy of rotten people discovering they are not untouchable. It is less isolated than The Glory, more crowded, and more willing to turn revenge into dark momentum. But the appetite is familiar.
This is the pick for viewers who finished The Glory and wanted the same moral temperature without staying trapped in Dong-eun’s loneliness.
2. Itaewon Class
Same long revenge timeline as The Glory. 2020, JTBC / Netflix.
Pick Itaewon Class if you liked the 17-year shape of Dong-eun’s revenge.
This one follows a wronged high schooler who builds a single Itaewon pub into a rival of the Jangga food empire over 15 years. That makes it a strong follow-up for anyone drawn to The Glory as a patience story. A ruined young person does not forget. They do not move on because the world tells them it would be healthier. They turn survival into a plan.
The taste tags line up cleanly: revenge, duty, awakening, found family, plot-dense pacing, cathartic ending. The difference is oxygen. The Glory lives in betrayal, dread, and isolation. Itaewon Class still has anger, but it lets other people gather around the fight. If Dong-eun’s bond with Kang Hyeon-nam gave you relief because someone finally stood beside her, this is the warmer branch of that feeling.
Choose this when you want revenge with a future attached to it.
Read the Itaewon Class review →
3. My Mister
Same isolation and slow-burn ache as The Glory. 2018, tvN.
Pick My Mister if you do not want another revenge drama yet, but you do want to stay with damaged people.
The connection is not plot. My Mister follows a 45-year-old engineer and a 21-year-old temp at Saman Engineering as they become each other’s only safe place. Its taste tags are grief, isolation, tenderness, and healing, with slow-burn pacing and a redemptive-quiet ending. That makes it the gentlest pivot from The Glory, but not a soft one.
Moon Dong-eun’s life is defined by the years nobody protected her. My Mister sits near that same absence. It is about people who have learned to expect very little, then find one human presence that does not ask them to perform being fine.
If The Glory’s catharsis gave you release but left you thinking about the cost of living that long inside pain, My Mister is the recovery room. Quieter. Kinder. Still heavy.
What you actually want next
If you wanted punishment, pick Vincenzo. It keeps the revenge appetite alive and gives corrupt power something to fear.
If you wanted the long game, pick Itaewon Class. It takes the same refusal to forget and points it toward ambition, friendship, and a life after damage.
If you wanted the loneliness under Dong-eun’s revenge, pick My Mister. It trades payback for repair.
That is the real fork: justice, rebuilding, or rest.
Or browse by mood at quizfandom.com/find-your-next-kdrama.