Raakh Season 1 Episode 4 Review: Every Missed Warning Has A Body Behind It

By Mira Vance · Editor & Lead Reviewer

Raakh Episode 4 turns the manhunt into a chain of ignored reports, hidden bodies, forged authority, family shame, and witnesses who only become useful after someone has already paid the price.

Salim Turns The Public Story Against The Police

The episode opens with Salim, the cyclist who tried to stop the green car. His account is simple and damning. He saw the children terrified inside the vehicle, tried to stop it, got hit, limped home, and sent his brother to the nearby police station. No one listened. He also called the helpline several times before Nisar reached him.

That detail matters because it shifts the Arora case from bad luck toward institutional failure. The police did not merely lack clues. At least one clue tried to come in from the street and was ignored until the press made it visible.

Nisar frames Salim as reassurance to the city because at least someone tried to save the children. Raakh refuses to make that reassuring. Salim did try. The system still failed him, Suman, and Sahil.

Pyare Mohan Stops Being Two Names And Becomes A Lead

The confusion around Pyare and Mohan finally collapses into one person: Pyare Mohan Batwal, a tenant who worked, or claimed to work, near the house police are tracing. His landlord admits he rented the place because Pyare paid on time, not because he checked anything useful.

That is how Raakh keeps finding rot in ordinary transactions. A room is rented because money arrives. A worker is accepted because he seems harmless. A witness stays quiet because family shame is worse than police pressure. Each small omission gives Babu and Rajjo more room.

The search for Ballu Sodhi also gets sharper through Dhaniram. He tries to protect his household from the truth of his association with Ballu, and Jayprakash understands exactly where to press. Once Dhaniram moves away from his family, he admits Ballu had a house in Kinari Bazar and had started drinking heavily at a local bar.

Ballu’s Body Gives The Case Another Brutal Shape

Ballu is not waiting in that house. His body is. The forensic read is ugly: the wounds are several days old, he died three days earlier, and he was likely put inside a closed container after falling unconscious. When he regained consciousness, he tried to escape. Blood loss and lack of oxygen finished what the attackers began.

The evidence ties the cases together. Two sets of fingerprints from the box match the fingerprints from the car. One set is incomplete, just like before. The sword in Pyare Mohan’s house carries Ballu Sodhi’s blood. The killing method has the same brutal signature.

Jayprakash now has a pattern and a problem. One of the suspected four is dead. Pyare is missing. The other two still lack names. The more evidence arrives, the less clean the case becomes.

Nisar And Jayprakash Turn The Case Into A Boundary Fight

The episode is sharpest when it shows how pressure distorts people who are on the same side of the truth. Nisar comes to Dr. Baruah with questions, and Jayprakash reads it as interference. He is already under pressure from Hajra, the press, and the missed leads. Seeing Nisar inside the forensic orbit feels like another loss of control.

Their argument is not a simple press-versus-police lecture. Nisar says she wrote what happened. Jayprakash says her name was in bold and everyone read it. She reminds him the case is not about them. He tells her to stop treating his station like an information desk.

Then the personal cost interrupts the professional fight. Jayprakash gets a call that his father is in Delhi Civil Hospital. Ghanshyam is bruised, his blood pressure and sugar are high, and he still tries to joke about kulfi. Jayprakash snaps at him for not caring for his health, and Ghanshyam answers with the force of a father who has been a constable and a parent for thirty years. Duty keeps pulling Jayprakash away from the people who made him.

Hotel Five Star Opens The Door To Sona

The Hotel Five Star lead finally identifies Pyare Mohan’s public face. He is not just a waiter; he is a singer who performs in male and female voices. The bar staff remember that two men claiming to be Delhi Police picked him up three days earlier in a green car. The sketches match Babu and Rajjo.

That impersonation is one of the episode’s nastier ideas. Babu and Rajjo are not only committing violence. They are borrowing the authority of the police in a city already terrified of police failure. They use the uniform without wearing it, and people step aside.

The attack on Sona shows the same logic at its worst. Babu wants Pyare punished for running. He drags Pyare into a situation where murder is supposed to buy trust. Pyare cannot do it. Rajjo offers to do it instead, and the scene curdles into a test of masculinity, fear, and obedience until police arrive and the men scatter.

Mona Breaks, Pyare Names Them, And Sonipat Appears

Mona’s breakdown is brief and devastating. Sent home from school because her principal can see she should not be teaching, she reacts to a stranger’s offer of a ride by throwing a brick through the windshield. The man and his pregnant wife were trying to help. Mona cannot hear help inside a car anymore.

Ashok is moving through his own private horror. Mr. Sahay brings him a report he says some doors should not open. Ashok insists. The episode does not spell everything out in that moment, but it makes the cost visible: he needs to know, even if knowing changes nothing.

Then Pyare is found hiding, singing, and begging for police protection. He names Babu and Rajjo, says Rajjo is Rajendra from his village, and confirms he was present when Ballu was killed. On the Arora children, he denies involvement, but gives one useful direction: Rajjo has a sister in Sonipat.

Jayprakash moves immediately. Babu, meanwhile, refuses to leave Delhi without one last goodbye. That is the show’s grim rhythm: the police finally get a road, and Babu still has time to make another bad choice.

Tiny details worth clocking

Salim’s report being ignored is not a side complaint. It is one of the episode’s clearest indictments.

The fake-police pickup at Hotel Five Star explains why bystanders let Babu and Rajjo take Pyare.

The incomplete fingerprint keeps tracking Babu’s burned hand without overexplaining it.

Ghanshyam joking about kulfi in the hospital is funny until Jayprakash’s fear turns it into anger.

Mona’s brick through the windshield is not random violence. It is trauma answering a car before reason can arrive.

Final verdict

Episode 4 works as a pressure episode. It does not give Jayprakash a clean breakthrough. It gives him a neglected witness, a dead suspect, a missing singer, a bar lead, a family lead, and another reminder that every delay has a body attached.

The hour also keeps the series grounded in systems: landlords who do not ask, stations that do not listen, newspapers that expose and exploit, officers whose family lives keep collapsing under duty. Babu and Rajjo remain crude and frightening, but the show is just as interested in the room they are given by other people’s failures.

Most importantly, the episode makes progress feel costly. Every answer arrives late, damaged, or attached to someone else’s silence, and Jayprakash has to keep moving anyway.

Rating: 8.4/10 - A grim, effective episode that turns missed warnings and fake authority into another hard procedural step toward Babu and Rajjo.

More episodes from Raakh — Crime, grief, and payback, episode by episode. Jump to any episode in the season:

Reviewed by Mira Vance · QuizFandom Editor & Lead Reviewer. Every rating is an honest per-watch assessment from the desk that also writes the quizzes — not a press release rehash.

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